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Current DateTime: 04:45:23 24 Nov 2009
LinksList Documentid: 31765984
Expiration DateTime: 11/24/2009 4:48:04 AM
    • Looking Left  23 Nov 2009

        CNBC's Julia Boorstin looks at the weekend's box office and Twilight's gigantic "New Moon" opening. She also discusses California's looming unemployment insurance crisis and a waiting list for pro football in Los Angeles.

    • Microsoft-Murdoch Scheme  23 Nov 2009

        Microsoft is reportedly talking to News Corp about teaming up on a search plan that would withhold content, including the Wall Street Journal, from Google, with Matthew Garrahan, Financial Times correspondent, and CNBC's Julia Boorstin & Bill Griffeth.

    • Inside Paramount Pictures  20 Nov 2009

        Discussing Viacom's Paramount Pictures strategy, with CNBC's Julia Boorstin and Brad Grey, Paramount Pictures.

    • Oprah Show to End in 2011  19 Nov 2009

        CNBC's Julia Boorstin has the details on Oprah Winfrey's decision not to renew her contract with CBS syndication.

    • Kids and Finances  13 Nov 2009

        A look at some of the stories of several inner city teens trying to become the business leaders of tomorrow, with CNBC's Julia Boorstin.

    • Iger Talks Earnings  13 Nov 2009

        Highlights from her interview with Disney's chief Bob Iger, with CNBC's Julia Boorstin.

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Current DateTime: 04:45:25 24 Nov 2009
LinksList Documentid: 31625651

Media Money

Text Size
Jun.11
11:35 AM ET
Monday, 11 Jun 2007
Hollywood's Most Powerful Agency Loses Big Client

Hasbro.com
Everyone's talking about the New York Times piece on Creative Artists Agency losing Hasbro[HAS  Loading...      ()   ] . Now everyone's wondering if CAA's trying to do too much for too many. CAA has said its going for 100% market share. But does that really make sense in an industry where you don't want to be represented by the same company as your competitor is.

Nicknamed, the 'Evil Empire' for its ubiquity and wide-reaching power in Hollywood, CAA has doubled in the last five years to some 300 agents and execs, some 700 total employees. And its representing not just of actors and directors, but also of companies, like Hasbro (or Coca Cola [KO  Loading...      ()   ] ) who need movie placement. Oh, the agency is also notoriously tight-lipped, and just moved into a gleaming new marble headquarters, that looks eerily like the Death Star.

The hubbub is all about the upcoming 'Transformers' movie-- which was effectively brokered by 'CAA', which doesn't technically act as a producer, just helps put deals together. This is how they did it for this Dreamworks[DWA  Loading...      ()   ] pic. CAA connected Paramount, Dreamworks, and Steven Spielberg with Hasbro. Spielberg is a client of CAA as was Hasbro--who also is the owner of Transformers. All of them were 'teamed up' with CAA-client writers, and several CAA-client stars. CAA's final tally? 10 credits for CAA clients. But Hasbro fired CAA to move to William Morris, which represents Michael Bay, who directed "Transformers."

CAA's size- more than 2,000 clients including Coke, Delta [DALRQ  Loading...      ()   ], and eBay[EBAY  Loading...      ()   ] -is the reason for its dominance, but it can also cause problems. Is CAA distracted? Is it servicing its clients as well as it could be? Does its new strategy distract from its expertise? Hasbro told the New York Times "We're moving to William Morris as an entertainment client".

CAA's most interesting work is its packaging-- virtually producing -- films. But as companies like Hasbro change, CAA may need to treat them more like stars and less like corporate clients in need of marketing.

Check out the Times story-- and Deadline Hollywood's skewering it. The truth is somewhere in-between!

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Current DateTime: 01:19:40 24 Nov 2009
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