Julia Boorstin joined CNBC in May 2006 as a general assignment reporter. Later that year, she became CNBC's media and entertainment reporter working from CNBC's Los Angeles Bureau. Boorstin covers media with a special focus on the intersection of media and technology. In addition, she reported a documentary on the future of television for the network, "Stay Tuned…The Future of TV."
Boorstin joined CNBC from Fortune magazine where she was a business writer and reporter since 2000, covering a wide range of stories on everything from media companies to retail to business trends. During that time, she was also a contributor to "Street Life," a live market wrap-up segment on CNN Headline News.
In 2003, 2004 and 2006, The Journalist and Financial Reporting newsletter named Boorstin to the "TJFR 30 under 30" list of the most promising business journalists under 30 years old. She has also worked for the State Department's delegation to the Organisation for Economic Co-operation and Development (OECD) and for Vice President Gore's domestic policy office.
She graduated with honors from Princeton University with a B.A. in history. She was also an editor of The Daily Princetonian.
Follow Julia Boorstin on Twitter @jboorstin.
The next three months are without a doubt Hollywood's most important season, generating an average 42 percent of annual box office. And this summer promises to generate the biggest U.S. box office on record — we could see over $4 billion dollars in tickets sold.
Today Federal Communications Chairman Julius Genachowski laid out plans to establish the FCC's authority to regulate broadband. Genachowski wants to ensure an "open Internet" and prohibit "unreasonable discrimination" by broadband providers against certain websites. He's not issuing laws or mandating so-called net neutrality today -- at this point he's simply looking to secure the commission's direct authority.
What a difference a year makes." That's how Sumner Redstone, chairman of CBS kicked off the company's first quarter earnings call.
It's not opening in the U.S. until Friday, but its launch in a number of international markets has already grossed over $100 million in ticket sales. This earlier opening (to avoid competing with the World Cup) yielded results 26 percent stronger than the first film in those markets. The film's expected to generate $120 million to $140 million in U.S. ticket sales this weekend.
Twitter's all about moments. Its upcoming earnings report is its moment to showcase progress beyond user growth.
The book, based on the stage play, "Harry Potter and the Cursed Child," will be published this summer.
Twitter announces a move to "make it easier and faster for people to catch up on what's happening right now."
When does Twitter cry uncle and throw in the towel on attempting to jump start what has been non-existent user growth on its platform?