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Media

Julia Boorstin

Julia Boorstin
CNBC Senior Media & Entertainment Correspondent

Julia Boorstin joined CNBC in May 2006 as a general assignment reporter. Later that year, she became CNBC's media and entertainment reporter working from CNBC's Los Angeles Bureau. Boorstin covers media with a special focus on the intersection of media and technology. In addition, she reported a documentary on the future of television for the network, "Stay Tuned…The Future of TV."

Boorstin joined CNBC from Fortune magazine where she was a business writer and reporter since 2000, covering a wide range of stories on everything from media companies to retail to business trends. During that time, she was also a contributor to "Street Life," a live market wrap-up segment on CNN Headline News.

In 2003, 2004 and 2006, The Journalist and Financial Reporting newsletter named Boorstin to the "TJFR 30 under 30" list of the most promising business journalists under 30 years old. She has also worked for the State Department's delegation to the Organisation for Economic Co-operation and Development (OECD) and for Vice President Gore's domestic policy office.

She graduated with honors from Princeton University with a B.A. in history. She was also an editor of The Daily Princetonian.

Follow Julia Boorstin on Twitter @jboorstin.

More

  • square_200.jpg

    Startup Square just secured a major advantage competitive mobile payments space — a strategic investment from Visa, which will put one of its executives on the company's board.

  • Netflix

    Netflix continues to add subscribers at a breakneck speed — it's now the largest subscription entertainment business in the US, beating Comcast

  • Netflix

    When Netflix reports after the closing bell, the big question is whether it can keep up its dizzying run. The stock's up some 130 percent in the past 12 months on consistently surprising subscriber growth. Now there are two numbers in the spotlight — subscribers and content costs

  • TiVo stock soared Wednesday, up a whopping 29.5 percent, on news that the U.S. Court of Appeals affirmed a finding of contempt and award of sanctions against Dish and EchoStar.

  • family watching tv

    It's been a long time in coming, but now, the very first premium video-on-demand is here. That means that just two and a half months after a film opens in theaters, before it's even available on DVD, you'll be able to watch it from the comfort of your living room.

  • Apple Store 5th Ave NY

    Steve Jobs' decision to include a new product in one of his Apple stores is the ultimate stamp of approval. Today (Tuesday), he gave that rare approval to "Square," a plug in credit-card reader from one of the co-founders of Twitter, Jack Dorsey. This could be just the boost Square needs to bring its mobile payments system to the mainstream, as the competition heats up.

  • Ticketmaster's CEO Nathan Hubbard knows he's got a major problem. Ticket sales were down by double digits, and 40 percent of seats went unsold last year. Now, he has a solution, one he unveiled on CNBC's "Power Lunch" today. It's 'dynamic' ticket pricing, a technology developed with a company called MarketShare.

  • Facebook

    T. Rowe Price is giving its investors a piece of perhaps the hottest company in the world -Facebook. The mutual fund company has a $190.5 million stake in Facebook, as well as a $71.8 million stake in Zynga and a $86.8 million stake in Groupon. And back in 2009 T. Rowe participated in Twitter's $100 million round of fundraising, along with Morgan Stanley.

  • Warner Brothers

    The way iTunes changed music, Warner Brothers wants to change movies. Today the studio gave me an exclusive look at an entertainment app it's been working on for years - the ultimate destination for people to buy all digital movies, not just Warner Brothers'. It's an app code-named 'Digital Everywhere,' and it's set to launch this summer.

  • Angry Birds iPhone app

    Fox and the Finnish game developer behind Angry Birds, Rovio, are working together in an unprecedented marketing partnership, designed to drive the millions addicted to the game into theaters, and moviegoers to download the game.

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